“Outlander” wrapped up its second season on Saturday night on Starz, and while much of it was set in 1968 there was still a big focus on the buildup to Culloden.
(Spoiler alert! This article contains major plot details from the show.)
Here is a new interview with Terry Dresbach from A.V. Club
From A.V. Club:
Outlander has some of the best—if not the best—costume design on television, and it’s all thanks to Terry Dresbach. The costume designer has worked on projects like Rounders and Very Bad Things, but she’s recently come into her own on the Starz show, where she’s immersed herself in everything from weaving 18th-century Scottish tartans to blending a 1940s aesthetic with peak Versailles-era French court clothes. With Outlander’s season finale approaching this Saturday and a number of the show’s outfits now on display at Los Angeles’ Paley Center,The A.V. Club talked with Dresbach about digital embroidery, the show’s wonderful scarves, and working in the male-dominated field of television production.
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